114 mins |
Rated
M (Violence & offensive language)
Senator Walter Chalmers (Robert Vaughn) is aiming to take down mob boss Pete Ross (Vic Tayback) with the help of testimony from the criminal's hothead brother Johnny (Pat Renella), who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt (Steve McQueen). When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed. RT
Sure, there's a fantastic car chase in it – one of the first, still one of the best – but Peter Yates's first American movie is so much more than a duel on wheels. First off, it belongs in the esteemed company of Greed, Vertigo, The Lineup, Dirty Harry and Zodiac as one of the finest movies set and shot in San Francisco, that most beguilingly cinematic of American cities. Secondly, it offers the distilled essence of Steve McQueen as an actor and icon at the pinnacle of his career. Exercising his usual restraint, the actor (working as his own producer) pruned every redundant word from his own role, making Bullitt perhaps the most taciturn hero of the 60s – McQueen knew that the less he said, the more intently the audience focused on him. - The Guardian
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Senator Walter Chalmers (Robert Vaughn) is aiming to take down mob boss Pete Ross (Vic Tayback) with the help of testimony from the criminal's hothead brother Johnny (Pat Renella), who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt (Steve McQueen). When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed. RT
Sure, there's a fantastic car chase in it – one of the first, still one of the best – but Peter Yates's first American movie is so much more than a duel on wheels. First off, it belongs in the esteemed company of Greed, Vertigo, The Lineup, Dirty Harry and Zodiac as one of the finest movies set and shot in San Francisco, that most beguilingly cinematic of American cities. Secondly, it offers the distilled essence of Steve McQueen as an actor and icon at the pinnacle of his career. Exercising his usual restraint, the actor (working as his own producer) pruned every redundant word from his own role, making Bullitt perhaps the most taciturn hero of the 60s – McQueen knew that the less he said, the more intently the audience focused on him. - The Guardian