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Nic Cage Double Feature, why?, because we love you!...Mandy- 1983. Somewhere in an isolated region of the Shadow Mountains in California, the woodcutter Red Miller lives in love with the charming and mysterious Mandy Bloom. But the peaceful life he has built for himself suddenly and tragically collapses when an uncontrolled group of idolaters furiously invade his idyllic paradise.
A truffle hunter who lives alone in the Oregonian wilderness must return to his past in Portland in search of his beloved foraging pig after she is kidnapped.
A million miles from ‘Peggy Sue Got Married,’ Cage goes searching for his beloved truffle pig — and himself — in Michael Sarnoski’s intimate character study...
and here's another reason to watch...
Nicolas Cage isn’t just an actor; he’s a state of mind. Having transcended meme status with evocative performances in director-driven genre fare like “Mandy” and “Color Out of Space,” the Oscar winner delivers his best performance in years as a chef-turned-recluse who briefly reenters society in writer-director Michael Sarnoski’s “Pig.” His return isn’t a happy one, however: Robin (Cage) only leaves the Oregonian wilderness after his beloved truffle pig is violently taken from him. Less revenge thriller than an intimate character study, “Pig” is above all else a reminder that Cage is among the most gifted, fearless actors working today.
Robin’s routine is simple: He and his pig forage for truffles picked up once a week by his sole contact with the outside world (Alex Wolff), with many fine meals and quiet moments in between. It’s clear from the outset that this bearded, dishevelled man isn’t entirely well and was driven into the woods by an unspecified trauma he’s in no rush to share with the world, but the humble existence he and his unnamed pet have been eking out seems to be enough for him — in some ways, it’s even idyllic. It can’t last, of course, and we’ve only just met the precocious porker when she’s kidnapped by unidentified evildoers.
With Sarnoski’s sparse dialogue complemented by a fittingly low-key score courtesy of Alexis Grapsas and Philip Klein, it’s impossible to imagine anyone but Cage in the lead role.